The B-Side Was Never the Throwaway Track
Record labels treated B-sides as filler. Listeners built entire identities around them.
Read more →Thoughts, culture & the occasional whistle
7 posts
Record labels treated B-sides as filler. Listeners built entire identities around them.
Read more →
The best bass playing is the kind you'd only miss if it disappeared — and most listeners never get the chance to find out.
Read more →
The A-side was what the label wanted. The B-side was where the artist was actually living.
Read more →
Track order is not an afterthought. The person who sequences an album shapes how every song on it will be heard forever.
Read more →
Between sets, something shifts. The crowd stops being passive and starts performing — for each other, for no one, for the room.
Read more →
Support acts don't just inherit a bad mix. They inherit a room that hasn't decided what it wants to be yet.
Read more →
The same station, the same DJ, the same songs — but at 7am on a Monday, radio does something it can't do any other time.
Read more →